The Band

Die aktuelle Besetzung der Band hat sich nach der Wiedergründung von BIG COUNTRY um den Sohn des Gitarristen Bruce Watson, Jamie Watson, und den ehemaligen Frontmann der walisischen Band THE ALARM, Mike Peters, erweitert. Der 1958 geborene Peters singt und spielt akusitische Gitarre und bezeichnet sich selbst als alten Fan der Band. Die Liveauftritte der neuen Band zeigen den Einfluß des zurückgewonnenen Produzenten der ersten beiden Alben, Steve Lillywhite und lassen einiges erwarten!
Im November 2013 wurde nach der Abschaltung des Forums auf der Website der Band auch noch die Trennung von Mike Peters bekannt gegeben.

......With their ringing, bagpipe-like guitars and the anthemic songs of frontman Stuart Adamson, Scotland's Big Country emerged as one of the most distinctive and promising new rock bands of the early '80s, scoring a major hit with their debut album The Crossing. Though the group's critical and commercial fortunes dimmed in the years to follow, they nevertheless outlasted virtually all of their contemporaries, releasing new material into the next century. The England- born Adamson formed Big Country in mid-1981 following his exit from the Scottish punk quartet the Skids, enlisting childhood friend Bruce Watson on second guitar; Clive Parker and brothers Pete and Alan Wishart completed the original lineup, but were soon replaced by bassist Tony Butler and drummer Mark Brzezicki. Signing to Polygram's Mercury imprint, the band issued its debut single, "Harvest Home" in the fall of 1982; a series of opening dates on the Jam's farewell tour increased Big Country's visibility exponentially, and the follow- up "Fields of Fire" cracked the U.K. Top Ten.
The Crossing appeared in 1983, its passionate, idealistic approach and Celtic- inspired arrangements far removed from the prevailing new wave mentality of the moment; the album not only went platinum at home but went gold in America as well, its success spurred by the Top 20 pop hit "
In a Big Country" Critics raved, and in early 1984 Big Country returned to the British Top Ten with the single "Wonderland." Their second album Steeltown entered the charts at number one, but despite good reviews there were already rumblings that all of the band's material sounded much the same; charges against 1986's The Seer did little to rectify (although the single "Look Away" was their biggest hit yet). A tour of the Soviet Union accompanied the 1988 release of Peace in Our Time, but the following year Brzezicki resigned from duty, with drummer Pat Ahern enlisted for the single "Save Me" Chris Bell replaced Ahern upon completing 1991's No Place Like Home, the first of the band's albums not to receive an American release. After parting ways with Polygram, Big Country signed with the Compulsion label for 1993's The Buffalo Skinners, recorded with yet another new drummer, Simon Phillips; the record launched a pair of British Top 30 hits, "Alone" and "Ships." Brzezicki rejoined the lineup in time for Without the Aid of a Safety Net, a live LP recorded in Glasgow at year's end. Why the Long Face followed in 1995, and after recording the acoustic effort Eclectic, Adamson relocated to Nashville in 1997 prompting Big Country to go on extended hiatus. The group's first new studio effort in four years, Driving to Damascus, appeared in 1999; the single "Somebody Else" was co-written by Adamson and the Kinks' Ray Davies. Adamson had problems with alcohol that contributed to his brief disappearance in November 1999 and announced his intentions to retire from touring in the spring of 2000, concurrent with the release of the limited edition Nashville Album. Later that fall, Come Up Screaming was issued on SPV.
On December 16, 2001 Adamson was found dead in a hotel room in Hawaii. He had been missing for several weeks from his Nashville, Tennessee home.

Big Country was a rock band from Dunfermline, Fife, Scotland, popular in the early to mid-1980s but still releasing material for a cult  following.
The band were  notable for music heavily  accented with traditional Scottish folk and martial music styles, as well as for playing and engineering their guitar sound to resemble the bagpipes , fiddles and other traditional folk instruments .

Composed of Stuart Adamson (formerly of The Skids, vocals /guitar /keyboards), Bruce Watson (guitar /mandolin /sitar /vocals), Tony Butler (bass guitar /vocals ) and Mark Brzezicki (drums /percussion /vocals) though a variety of other drummers have been in the band throughout their long career, including Simon Phillips. Prior to the recruitment of Butler and Brzezicki, an early incarnation of Big Country was a five-piece band in 1981 and it featured Pete Wishart, later of Runrig  and now an SNP MP, on keyboards.

Although the band's music drew from Scottish traditional music, none of its members was born in Scotland. Adamson grew up in Dunfermline though, and as such, his Scottish accent was genuine.

Their first single was "Harvest Home", recorded and  released in 1982. It was a modest success, reaching #91 on the UK Singles Chart . Their next single was 1983's "Fields of Fire", which reached the UK 's Top Ten  and was rapidly followed by the album The Crossing . The album was a hit in the  United States , powered by "In a Big Country ", their only U.S.  Top 40  hit single. The Crossing sold over a million copies in the UK  and obtained gold record  status (sales of over 500,000) in the U.S. The band also  performed on both the Grammys and Saturday Night Live.

The song featured heavily engineered guitar playing, strongly reminiscent of bagpipes; Adamson and fellow guitarist, Watson, achieved this through the use of the MXR Pitch Transposer 129 Guitar Effect. Also contributing to the band's unique sound was their early virtuoso use of the e-bow, a device which allows a guitar to sound more like strings or synthesizer.

The band released the non-LP extended play single "Wonderland " in 1984 while undergoing a lengthy worldwide  tour. The song, considered by some critics to be one of their finest, was a Top Ten  hit (#8) in the UK singles chart  but despite heavy airplay and a positive critical response, was a  comparative flop in the U.S., reaching only #86 on the Billboard Hot 100. It was the last single by the band to make a U.S. chart appearance.

Their second album Steeltown (1984) was a hit as soon as it was released, entering the UK Albums Chart  at number one. The album featured three UK top 30 hit singles, and received considerable critical acclaim on both sides of the Atlantic, but like Wonderland (and, in fact, all subsequent releases) it was a commercial disappointment in the U.S, peaking at #70 on the Billboard album charts.

Throughout 1984 and 1985, the band toured the UK, Europe, and, to a lesser extent, the U.S., both as headliners themselves and in support of such artists as Queen and Roger Daltrey. They also recorded prolifically, and provided the musical score to a Scottish independent  film, 'Restless Natives' (1985), which was not released on CD until years later on the band's Restless Natives and Rarities (1998) collection.

1986's The Seer, the band's third album, was another big success in the UK, peaking at Number 2. It produced three further top 30 singles, including the Irish number one hit "Look Away ", which would also prove to be the band's biggest hit in the U.K., peaking at #7. Kate Bush provided backing vocals on the album's title track, and as was the norm for the band at the time, the album received  good reviews from the music press. In the U.S., The Seer sold a little bit better than Steeltown, reaching #59 on the Billboard charts.

In what some critics felt was an apparent attempt to regain their dwindling U.S. following, Big Country used producer Peter Wolf for their next album, Peace in Our Time (1988), which was recorded in Los Angeles, California. The result was very different from the previous singles and albums, and, in "Broken Heart (13 Valleys)" contained the song which Stuart Adamson claimed to be his favorite of all time. Despite this it was not well received by most critics and fans. One reviewer noted that it was the group's "least representative and least interesting album". It sold poorly.

No Place Like Home (1991) not only effectively killed off the band's commercial hopes in the US, it nearly broke up the band. Drummer Mark Brzezicki returned to the studio as a session drummer after leaving the band. The album found the  band trying to reinvent themselves and shift away from their '80s image. It was not a commercial success and was not released in America, although two re-recorded tracks showed up on 1993's The Buffalo Skinners.

In 1991, the band was dropped by Phonogram, the label  that had released all of  their material for ten years. After that, Big Country became a minor act, popping up in the lower echelons of the charts in the UK and Europe with the release of every subsequent album.

Only one of these, 1993's The Buffalo Skinners, received a major label release (via Chrysalis  Records ); it  seemed a return to form of sorts for the band, and obtained a surprisingly enthusiastic critical response. But its sales were meagre and, in retrospect, it can be seen as Big Country's last, lost chance to regain a mass audience.

Regardless, the band retained an intensely devoted cult following, as evidenced by their deceptively large post-1990 discography, which consists mostly of live concert recordings and singles/rarities collections. Throughout the 1990s, Big Country became a popular 'opening act', supporting such bands as Rolling Stones and The Who; Roger Daltrey reportedly uttered on numerous occasions that he'd 'love to steal their rhythm section!'
In fact, Big Country had backed Daltrey on his 1985 solo album Under the Raging Moon, and Tony Butler played bass and backing vocals on Pete Townsend's 1980 hit single "Let My Love Open the Door". Both Butler and Brzezicki performed on Townsend's 1985 solo album White City: A Novel.

Of growing concern, however, was the mental and emotional health of lead singer Adamson, who reportedly had struggled with alcoholism for several years.

Adamson split with his first wife, who later spoke to Scottish and English tabloids about his heavy drinking. He moved to Nashville in the mid 1990s where he took up residence and married a hairdresser. While in Nashville, he met noted artist Marcus Hummon and released an acclaimed studio album with him under the moniker The Raphaels.

In 1995 Big Country released another album Why the Long Face? .

1999 saw the release of Big Country's eighth and final studio album, Driving to Damascus (titled in its slightly different, augmented U.S. release John Wayne's  Dream). Adamson said publicly that he was disappointed that the album did not fare better on the charts, which led to depression. Later that year, he disappeared for a while before resurfacing, stating that he had just needed some time off.

Adamson returned for the band's 'Final Fling' farewell tour, culminating in a sold-out concert at Glasgow 's Barrowland Ballroom on 31 May 2000. Although that marked the end of Big Country as a touring band, they were always adamant that they would appear together again. They played what turned out to be their last gig in Kuala Lumpur , Malaysia , in October that year.

In November 2001, Adamson disappeared again.

Numerous appeals were put on the Big Country website asking for Adamson to call home and speak to anyone in the band, the management company, or his ex-wife. The website also requested that any fans who might have been 'harboring' the singer to contact the management company and alert them to his whereabouts. Mark Brzezicki and Tony Butler had indicated they were concerned but the reason Big Country had lasted so long was they stayed out of one another's personal lives, and both later noted they were unaware of the extent of Adamson's problems.

He was found dead in a room at the Best Western Plaza Hotel in Honolulu , Hawaii on December 16 , 2001. The official autopsy revealed that he had hanged himself. At the time of death he had a blood-alcohol content of 0.279%.

A memorial to Adamson was held at Dunfermline's  Carnegie Hall in January 2002, followed by a tribute concert at the Barrowlands in May. It brought together the remaining members  of both Big Country and The Skids ; Adamson's teenage children, Callum and Kirsten; as well as Steve Harley, Runrig, Simon Townsend, Midge Ure  and Bill Nelson

Big Country includes: Stuart Adamson (Vocals, Guitar, E-bow, Piano); Bruce Watson (Guitar, E-bow, Background Vocals); Tony Butler (Bass, Background Vocals); Mark Brzezicki (Drums, Percussion, Background Vocals).
Additional personnel: Christine Beveridge (vocals). Producers: Big Country, Steve Lillywhite, Steve Churchyard.
Reissue producer: Bill Levenson. Recorded in 1983. In the first half of the 1980s, Bands like U2 and the Waterboys hit it big with a passionate, widescreen Approach that became known as "The Big Sound."
Few did it bigger than Scotland's own Big Country, and their Debut Album THE CROSSING, made them a proverbial overnight Sensation. 
Singer Stuart Adamson (formerly of post-punk outfit ”The Skids”) penned emotive Anthems that rang out to the Heavens via his and Bruce Watson's  Guitars, whose Trademark Celtic-tinged Sound was strikingly similar to  that of Bagpipes.
The Album's Singles, "Fields of Fire" and "In a Big Country," were surging fist-pumpers full of Feeling and Inspiration, charging ahead with the Propulsion of Drummer Mark Brzezicki's martial Rhythms.
Though the Band would continue on for Years (until their Career was tragically ended by Adamson's 2001 Suicide), they would never match the Spark of their Debut “The Crossing”, one of the Key Rock Albums of the '80s.

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